Category Archives: Killers

The Killers- Intro

Written on January 1, 2010


The Killers

Overview
Las Vegas’ The Killers released their debut album in 2004, and they have released 4 studio albums to date (2012). Their first album (Hot Fuss) was an exciting, indie-style record that really personified the Vegas scene. Since their debut, they have continued to progress and tweak their sound with each album.

Styles
Rock, pop, synth-pop, alternative rock, heartland rock

Band Line-Up
Brandon Flowers (2001–present) – lead vocals, keyboards, bass guitar
Dave Keuning (2001–present) – lead guitar, backing vocals
Mark Stoermer (2002–present) – bass guitar, backing vocals, guitar
Ronnie Vannucci Jr. (2002–present) – drums, percussion

Rate this album now! Scroll over the stars and click to rate.

1 Star2 Stars3 Stars4 Stars5 Stars (No reader ratings yet, be the first to rate!)
Loading ... Loading ...

There are no comments yet. Be the first and leave a response! No registration necessary.

The Killers- Day and Age

Written on February 2, 2012

Killers_D&A
The Killers Day and Age- 2008
RMR Album Rating- 7

Although The Killers third album Day and Age doesn’t pack the same punch as their first two albums, it is a very stylistically diverse album; therefore, it remains interesting and satisfying even after many repeated listens. It also comes across as a very mature album that is laced with great vocals and lyrics.

It almost seems like the Killers drew upon all their influences to create Day and Age, and there are songs to represent a myriad of different styles, so the album really creates a history book of the music that influenced The Killers. The big single from the album was “Human,” which is a great synth-pop song that really draws from the style of bands like The Pet Shop Boys, which Brandon Flowers has stated was a massive influence on The Killers. There’s also ballads like “Dust Land Fairy Tale,” which teeter very close to coming across as trite, but Flower’s vocal delivery absolutely makes the song and saves it from any sappiness or banality. Plus, you have plenty of up-beat pop rockers like “Spaceman,” “Joy Ride,” and “Neon Tiger.” Then lastly, there are some mellow rockers like “Losing Touch,” “This is Your Life,” and “I Can’t Stay.”  They alternate between all these styles seamlessly and flawlessly, so the album doesn’t seem at all disjointed, but rather a coherent package of illustrious diversity.

I do want to point out that although the songs are all very stylistically different, they are consistent in quality, especially in terms of vocals and lyrics. Flower’s vocals sound very developed and mature, and there is great lyrical depth to many of the tracks. “Human,” for instance, could easily be taken as a simple dance song, and it has a dance rhythm to it, but it actually tackles much deeper themes. The main line to the song asks the question: “Are we human?/ Or, are we dancer?” The Killers have never explained the exact meaning of the song, and it is definitely open to interpretation, but I have always thought that “Human” is about fate vs. freewill. I think the lyrics indicate that being human is having freewill, and being a dancer is following fate. The dancer is an analogy for a puppet on strings— being controlled by a puppeteer or higher power. There are other lyrics to support this idea as well like “cut the cord” and “you got to let me go.” These lyrics imply the desire to be set free from fate and to be given freewill.  For me, the most interesting lyrics come at the end of the song. They imply that none of us really know whether we have freewill (human) or whether we have to follow fate (dancer), but we are perpetually seeking this knowledge, and the final verse of the song begs for this answer: “And I’m on my knees/ Looking for the answer/ Are we human?/ Or are we dancer?”  “Human” is just one of many songs on Day and Age with thought provoking lyrics, and all the lyrics certainly add to the appeal and overall sonic depth of the album.

Closing this out, I will make the point that this is not my favorite The Killers album, and I do rank it slightly behind Hot Fuss and Sam’s Town, but its diversity really makes it more interesting each time I listen to it; therefore, it is memorable, and a memorable album— one that will stand the test of time and not just become one of the many ghosts of records past— is really what every band wants, and The Killlers accomplish this with Day and Age.

Rate this album now! Scroll over the stars and click to rate.

1 Star2 Stars3 Stars4 Stars5 Stars (No reader ratings yet, be the first to rate!)
Loading ... Loading ...
3 Responses to The Killers- Day and Age
  1. Johnny Cammareri
    February 5, 2012 | 4:36 pm

    I like your perspective on Human’s free-will/fate lyrics. (I have a theory about the illusion of free will, but I will spare everyone my pontification on the subject.)
    p.s. Interesting that the choice in the song is human OR dancer.

    • RMR
      February 5, 2012 | 5:58 pm

      Johnny–

      Thanks for the reply. Yeah, Brandon Flowers breaks it down into just the two historically accepted choices: Fate (Dancer) or Freewill (human). Your response hints that you have an alternate theory. Feel free to pontificate, if you would like.

  2. CKC
    February 6, 2012 | 1:33 pm

    Human is one of the Killers most intriguing songs. I find myself replaying it over and over again trying to interpret each and every word. While it is not my favorite of their songs, I have yet to tire of it. That is one of the things about the Killers I love most. You can zone out and let the music wash over you, or listen intently and read into each line. Both ways equally as enjoyable.

The Killers- Battle Born

Written on October 13, 2012


The Killers Battle Born- 2012
RMR Album Rating- 3 (Poor)

“Don’t break character/ You’ve got so much heart”…

These lyrics from “Be Still,” although inadvertently introspective, are quite ironic, as The Killers were once a band filled with unique musical “character” and “heart,” but Battle Born is completely void of both.

“Flesh And Bone” and “Runaways,” the album’s opening songs, are easily the best two tracks on the album. “Flesh and Bone” is a strong synth rocker, and Ronnie Vannucci’s drum work powers the song into each of its main chorus sections. It also features an interesting lyrical section that concludes the song with staggered vocals. “Runaways” is one of the only songs on the album that actually sounds like a full band effort, and it is highlighted by great guitar work from Dave Keuning and crystal clear narrative vocals from Flowers.

Click here to listen to Flesh and Bone
Click here to listen to Runaways

Other than the first two tracks, the only other real highlight is the heartland, country-rock inspired song “From Here on Out.” The sound of the song is completely new for the Killers, and it teeters very close to sounding like a trite pop-country song, but it is saved by smooth slide guitar work, quick melodic pacing, and a dangerously catchy chorus of “Hey, from here from out/ Friends are gonna be hard to come by.” Lastly, I’ll mention “Matter of Time” and “Battle Born,” which are decent tracks, but there is absolutely nothing memorable about them.

Click here to listen to From Here On Out
Click here to listen to A Matter of Time
Click here to listen to Battle Born

Unfortunately, the remaining 7 tracks are completely forgettable. They are all mid-tempo songs that don’t possess any real “character” or “heart” that make them discernible from each other at all.

Overall, I’m completely baffled by Battle Born. The Killers’ instrumental signature sound has always been a combination of Keuning’s guitar paired with Flower’s retro (yet inventive) synthesizer work layered over a strong rhythm section, but all of that is traded in here for lightweight, easy-listening, background music. Similarly, Flowers normally writes thought-provoking, ambiguous, and sometimes provocative lyrics, but this record is filled with cliché lines like “Don’t want your picture on my cell phone/ I want you here with me” and “Miss Atomic Bomb/ Making out we’ve got the radio on.” All these lyrical and sound changes make Battle Born an overly banal and boring listen, and ultimately— the album just doesn’t work.

Rate this album now! Scroll over the stars and click to rate.

1 Star2 Stars3 Stars4 Stars5 Stars (3 reader ratings, average: 4.00 out of 5)
Loading ... Loading ...
One Response to The Killers- Battle Born
  1. CKC
    October 22, 2012 | 1:38 pm

    I think your review is spot on. I was waiting in anticipation for this album to blow me away, like their last three have, and it was a tremendous let down. I feel the band lost their mojo on this release. I am hoping this album will be a small blip on the radar that will be quickly forgotten.